Do Re MiC D E

I Can't Help It

Michael Jackson (Wonder-Greene)4/4pop♩= 102
B13♯11
A♯maj9
B13♯11
A♯maj9
B13♯11
A♯maj9
B13♯11
A♯maj9
B13♯11
B13♯11
C13
F♯maj
Bmaj
B13♯11
B13♯11
C13
A♯69
B13♯11
A♯maj9
B13♯11
A♯maj9
B13♯11
B13♯11
C13
F♯maj
Bmaj
B13♯11
B13♯11
C13
A♯69

Chord Diagrams — I Can't Help It in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯
A♯maj9
5frEADGBE11243x
EADGBE1113x
3frEADGBE111143
6frEADGBE112234
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C13
6frEADGBE222341
2frEADGBE44x213
3frEADGBE111134
8frEADGBE111324
D♯m9
7frEADGBExx2413
4frEADGBEx21344
9frEADGBEx13244
11frEADGBE111134
F7♯9
7frEADGBEx2134x
EADGBE111324
EADGBExx2134
10frEADGBE111x23
F♯maj
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Bmaj
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
A♯69
7frEADGBEx22134
EADGBEx123
5frEADGBE111234
12frEADGBE11x234
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314

Explore More

I Can't Help It in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through B to A# (descending half step), A# to A# (ascending unison), A# to G (descending minor third), G to G (ascending unison), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to F (ascending whole step), F to F# (ascending half step), F# to G# (ascending whole step), G# to A# (ascending whole step), A# to B (ascending half step), B to A# (descending half step), A# to F (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to B by tritone.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 104 bars · Form: AABB

Chords: B13♯11, A♯maj9, A♯maj7, Gm9, Gm7, C13, D♯m9, F7♯9, F♯maj, G♯m7, A♯m7, Bmaj, A♯69, Fm7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#