Do Re MiC D E

Don't Let The Sun Go Down On Me

Elton John (John, Taupin)4/4pop♩= 72
G♯/B♭
C♯/A
G♯/G
G♯/G
G♯/E
%
G♯/G
G♯/G
G♯/E
%
G♯/G
G♯/G
D♯/B
G♯/E
F♯/F
C♯/A
C♯/C
G♯/G
G♯/G
D♯/B
G♯/E
F♯/F
C♯/A
C♯/C
G♯/G
G♯/B♭
Fm/G
A♯/F♯
G♯/G
C♯/G
G♯/B♭
C♯/A
G♯/B♭
C♯/A
G♯/G
G♯/G
D♯/B
G♯/E
F♯/F
C♯/A
C♯/C
G♯/G
G♯/G
D♯/B
G♯/E
F♯/F
C♯/A
C♯/C
G♯/G
G♯/B♭
Fm/G
A♯/F♯
G♯/G
C♯/G
G♯/B♭
C♯/A
G♯/B♭
C♯/A
G♯/B♭
Fm/G
A♯/F♯
G♯/G
C♯/G
G♯/B♭
C♯/A
G♯/B♭
C♯/A

Chord Diagrams — Don't Let The Sun Go Down On Me in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯/B♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
C♯/A
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯/G
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯sus4
EADGBE11xx24
4frEADGBE111234
6frEADGBE11x234
11frEADGBE111234
G♯/E
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
D♯/B
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
F♯/F
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
C♯/C
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
Fm/G
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
A♯/F♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
C♯/G
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234

Explore More

Don't Let The Sun Go Down On Me in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to C# (descending perfect fourth), C# to F (ascending major third), F to F (ascending unison), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to G# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 95 bars · Form: AABC

Chords: G♯, G♯/B♭, C♯/A, G♯/G, C♯, D♯, D♯7, G♯sus4, G♯/E, D♯/B, F♯/F, C♯/C, Fm, Fm/G, A♯/F♯, C♯/G, A♯m, D♯sus4, E, F♯.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#