Do Re MiC D E

Don't Let The Sun Go Down On Me

Elton John (John, Taupin)4/4pop♩= 72
F♯/B♭
B/A
F♯/G
F♯/G
F♯/E
%
F♯/G
F♯/G
F♯/E
%
F♯/G
F♯/G
C♯/B
F♯/E
E/F
B/A
B/C
F♯/G
F♯/G
C♯/B
F♯/E
E/F
B/A
B/C
F♯/G
F♯/B♭
D♯m/G
G♯/F♯
F♯/G
F♯/B♭
B/A
F♯/B♭
B/A
F♯/G
F♯/G
C♯/B
F♯/E
E/F
B/A
B/C
F♯/G
F♯/G
C♯/B
F♯/E
E/F
B/A
B/C
F♯/G
F♯/B♭
D♯m/G
G♯/F♯
F♯/G
F♯/B♭
B/A
F♯/B♭
B/A
F♯/B♭
D♯m/G
G♯/F♯
F♯/G
F♯/B♭
B/A
F♯/B♭
B/A

Chord Diagrams — Don't Let The Sun Go Down On Me in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
F♯/B♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
B/A
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯/G
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯sus4
4frEADGBE11x234
EADGBE111234
9frEADGBE111234
11frEADGBE11xx24
F♯/E
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯/B
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
E/F
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
B/C
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
D♯m/G
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
G♯/F♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
B/G
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
C♯sus4
4frEADGBE111234
EADGBEx3412x
6frEADGBE2x1114
9frEADGBE111234
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234

Explore More

Don't Let The Sun Go Down On Me in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to B (descending perfect fourth), B to D# (ascending major third), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to E (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 95 bars · Form: AABC

Chords: F♯, F♯/B♭, B/A, F♯/G, B, C♯, C♯7, F♯sus4, F♯/E, C♯/B, E/F, B/C, D♯m, D♯m/G, G♯/F♯, B/G, G♯m, C♯sus4, D, E.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#