Do Re MiC D E

Don't Let The Sun Go Down On Me

Elton John (John, Taupin)4/4pop♩= 72
C/B♭
F/A
C/G
C/G
C/E
%
C/G
C/G
C/E
%
C/G
C/G
G/B
C/E
A♯/F
F/A
F/C
C/G
C/G
G/B
C/E
A♯/F
F/A
F/C
C/G
C/B♭
Am/G
D/F♯
C/G
F/G
C/B♭
F/A
C/B♭
F/A
C/G
C/G
G/B
C/E
A♯/F
F/A
F/C
C/G
C/G
G/B
C/E
A♯/F
F/A
F/C
C/G
C/B♭
Am/G
D/F♯
C/G
F/G
C/B♭
F/A
C/B♭
F/A
C/B♭
Am/G
D/F♯
C/G
F/G
C/B♭
F/A
C/B♭
F/A

Chord Diagrams — Don't Let The Sun Go Down On Me in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C/B♭
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
F/A
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
C/G
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
F
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Csus4
6frEADGBE23x14
EADGBE11x34
3frEADGBE111234
8frEADGBE111234
C/E
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
G/B
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
A♯/F
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
F/C
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Am/G
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
D/F♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
F/G
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Gsus4
5frEADGBE1144x3
EADGBE2314
3frEADGBE111234
10frEADGBE111234
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
A♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243

Explore More

Don't Let The Sun Go Down On Me in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step), G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth), G to A# (ascending minor third), A# to F (descending perfect fourth), F to A (ascending major third), A to A (ascending unison), A to D (ascending perfect fourth), D to F (ascending minor third), F to D (descending minor third), D to G (ascending perfect fourth), G to G# (ascending half step), G# to A# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 95 bars · Form: AABC

Chords: C, C/B♭, F/A, C/G, F, G, G7, Csus4, C/E, G/B, A♯/F, F/C, Am, Am/G, D/F♯, F/G, Dm, Gsus4, G♯, A♯.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C