Do Re MiC D E

Change The World

Eric Clapton (Sims-Kennedy-Kirkpatrick)4/4blues♩= 99
F♯2/F♯
F♯2/F♯
F♯2/F♯
F♯2/F♯
G♯11
F♯2/E
F♯2/E
F♯2/E
F♯2/E
G♯m/A
G♯m/A
F♯2/E
F♯2/E
C♯/G♯
C♯/G♯
C♯dim/G
G♯11
F♯2/F♯
F♯2/F♯
F♯2/E
F♯2/E
F♯2/E
F♯2/E
G♯m/A
G♯m/A
F♯2/E
F♯2/E
C♯2/G♯
C♯/G♯
C♯dim/G
C♯2/G♯
C♯/G♯
C♯dim/G
G♯11
F♯2/F♯
F♯2/F♯
F♯2/F♯
F♯2/F♯
C♯/G♯
C♯/G♯
C♯dim/G
C♯/G♯
C♯/G♯
C♯dim/G
C♯/G♯
C♯/G♯
C♯dim/G
G♯11
F♯2/F♯
F♯2/F♯

Chord Diagrams — Change The World in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
F♯2/F♯
4frEADGBE111134
EADGBE2xx134
9frEADGBE111134
11frEADGBE11324x
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
G♯11
4frEADGBE111112
6frEADGBE111123
9frEADGBE11x324
11frEADGBE1111x3
F♯2/E
4frEADGBE111134
EADGBE2xx134
9frEADGBE111134
11frEADGBE11324x
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
G♯m/A
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
Cm7♭5
EADGBEx1324x
4frEADGBE11xx24
8frEADGBE111234
10frEADGBE333xx1
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯/G♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C♯dim/G
4frEADGBEx1243x
EADGBEx41x23
7frEADGBE31x42x
11frEADGBExx12x3
C♯2/G♯
4frEADGBE111134
6frEADGBE11432x
9frEADGBE1123x4
11frEADGBE111134

Explore More

Change The World in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to E (descending whole step), E to G# (ascending major third), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to F# (descending whole step), F# to F (descending half step), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to C (ascending whole step), C to A (descending minor third), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 91 bars · Form: ABC

Chords: C♯, F♯2/F♯, E, G♯11, F♯2/E, C♯7, F♯, G♯m/A, F♯7, F7, D♯m7, A♯m7, Cm7♭5, Am7, G♯m7, C♯/G♯, C♯dim/G, C♯2/G♯.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#