Do Re MiC D E

Change The World

Eric Clapton (Sims-Kennedy-Kirkpatrick)4/4blues♩= 99
D♯2/F♯
D♯2/F♯
D♯2/F♯
D♯2/F♯
F11
D♯2/E
D♯2/E
D♯2/E
D♯2/E
Fm/A
Fm/A
D♯2/E
D♯2/E
A♯/G♯
A♯/G♯
A♯dim/G
F11
D♯2/F♯
D♯2/F♯
D♯2/E
D♯2/E
D♯2/E
D♯2/E
Fm/A
Fm/A
D♯2/E
D♯2/E
A♯2/G♯
A♯/G♯
A♯dim/G
A♯2/G♯
A♯/G♯
A♯dim/G
F11
D♯2/F♯
D♯2/F♯
D♯2/F♯
D♯2/F♯
A♯/G♯
A♯/G♯
A♯dim/G
A♯/G♯
A♯/G♯
A♯dim/G
A♯/G♯
A♯/G♯
A♯dim/G
F11
D♯2/F♯
D♯2/F♯

Chord Diagrams — Change The World in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
D♯2/F♯
EADGBE111134
6frEADGBE111134
8frEADGBE11324x
11frEADGBE1123x4
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
F11
EADGBE111112
3frEADGBE111123
6frEADGBE11x324
8frEADGBE1111x3
D♯2/E
EADGBE111134
6frEADGBE111134
8frEADGBE11324x
11frEADGBE1123x4
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
Fm/A
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯/G♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯dim/G
4frEADGBE31x42x
EADGBEx1243x
8frEADGBExx12x3
11frEADGBEx41x23
A♯2/G♯
3frEADGBE11324x
EADGBE111134
8frEADGBE111134
10frEADGBE11x324

Explore More

Change The World in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F (ascending major third), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to D# (descending whole step), D# to D (descending half step), D to C (descending whole step), C to G (descending perfect fourth), G to A (ascending whole step), A to F# (descending minor third), F# to F (descending half step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 91 bars · Form: ABC

Chords: A♯, D♯2/F♯, C♯, F11, D♯2/E, A♯7, D♯, Fm/A, D♯7, D7, Cm7, Gm7, Am7♭5, F♯m7, Fm7, A♯/G♯, A♯dim/G, A♯2/G♯.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#