Do Re MiC D E

Change The World

Eric Clapton (Sims-Kennedy-Kirkpatrick)4/4blues♩= 99
D2/F♯
D2/F♯
D2/F♯
D2/F♯
E11
D2/E
D2/E
D2/E
D2/E
Em/A
Em/A
D2/E
D2/E
A/G♯
A/G♯
Adim/G
E11
D2/F♯
D2/F♯
D2/E
D2/E
D2/E
D2/E
Em/A
Em/A
D2/E
D2/E
A2/G♯
A/G♯
Adim/G
A2/G♯
A/G♯
Adim/G
E11
D2/F♯
D2/F♯
D2/F♯
D2/F♯
A/G♯
A/G♯
Adim/G
A/G♯
A/G♯
Adim/G
A/G♯
A/G♯
Adim/G
E11
D2/F♯
D2/F♯

Chord Diagrams — Change The World in A (Guitar)

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Change The World in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to C (descending whole step), C to E (ascending major third), E to D (descending whole step), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to E (ascending whole step), E to D (descending whole step), D to C# (descending half step), C# to B (descending whole step), B to F# (descending perfect fourth), F# to G# (ascending whole step), G# to F (descending minor third), F to E (descending half step), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 91 bars · Form: ABC

Chords: A, D2/F♯, C, E11, D2/E, A7, D, Em/A, D7, C♯7, Bm7, F♯m7, G♯m7♭5, Fm7, Em7, A/G♯, Adim/G, A2/G♯.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A