(Anda Ven Y) Muévete in B

(Anda Ven Y) Muévete in B

(Anda Ven Y) Muévete in B: Juan Formell's songo. Mixolydian and Major Pentatonic scales bring out the groove and energy of these changes. Chords: B – A6 – Eadd9 – D#maj7 – G#mi7 – N.C. – E7sus – F#9sus – F9sus – E9sus – D#9sus.

(Anda Ven Y) Muévete in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A (descending whole step), A to E (descending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to N.C. (ascending major third), N.C. to E (ascending major third), E to F# (ascending whole step), F# to F (descending half step), F to E (descending half step), E to D# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to B by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.