(Anda Ven Y) Muévete in A

Juan Formell(1983)songoSongo
Do Re MiC D E
Clave 3-2
I
n
t
r
o
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A
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A
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B
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B
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C
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C
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D
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D
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E
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E
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F
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G
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G
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H
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I
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I
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J
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J
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K
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L
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M
F♯mi7
N.C.
D7sus
N.C.
F♯mi7
N.C.
E9sus
D♯9sus
D9sus
C♯9sus

Chord Diagrams — (Anda Ven Y) Muévete in A (Guitar)

Display
FingerNoteDegree
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
G6
EADGBE21
EADGBE2x143x5frEADGBE111x3410frEADGBE3333x1
Dadd9
2frEADGBE11x324
5frEADGBEx12347frEADGBExx31410frEADGBExx3214
C♯maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
F♯mi7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
N.C.
D7sus
D - G - A - C
E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
D♯9sus
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
C♯9sus
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134

(Anda Ven Y) Muévete in A

(Anda Ven Y) Muévete in A: Juan Formell's songo. Mixolydian and Major Pentatonic scales bring out the groove and energy of these changes. Chords: A – G6 – Dadd9 – C#maj7 – F#mi7 – N.C. – D7sus – E9sus – D#9sus – D9sus – C#9sus.

(Anda Ven Y) Muévete in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to D (descending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to N.C. (ascending tritone), N.C. to D (ascending whole step), D to E (ascending whole step), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

songo4/4 · 92 bars · Form: Intro-A-A-B-B-C-C-D-D-E-E-F-G-G-H-I-I-J-J-K-L-M

Chords: A, G6, Dadd9, C♯maj7, F♯mi7, N.C., D7sus, E9sus, D♯9sus, D9sus, C♯9sus.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A