(Anda Ven Y) Muévete in A#

(Anda Ven Y) Muévete in A#

(Anda Ven Y) Muévete in A#: Juan Formell's songo. Mixolydian and Major Pentatonic scales bring out the groove and energy of these changes. Chords: A# – G#6 – D#add9 – Dmaj7 – Gmi7 – N.C. – D#7sus – F9sus – E9sus – D#9sus – D9sus.

(Anda Ven Y) Muévete in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to N.C. (ascending perfect fourth), N.C. to D# (ascending minor third), D# to F (ascending whole step), F to E (descending half step), E to D# (descending half step), D# to D (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to A# by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.