Brasileiro in D

Ray Obiedo(1991)sambaMed. Samba
Do Re MiC D E
p
i
c
k
u
p
-
A
-
B
-
C
-
D
-
E
-
F
-
G
-
H
D9sus
D9sus
C9sus
G9sus
F9sus
F♯9sus
F♯9sus
Dmaj9
G9sus
C♯m11
B9sus
B9sus
B9sus
B9sus
D9sus
B9sus
B9sus
D9sus

Chord Diagrams — Brasileiro in D (Guitar)

D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
F9sus
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
F♯9sus
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
C♯m11
EADGBE111x23
7frEADGBE1113429frEADGBE11111411frEADGBE11xx23
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
B9sus
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243

Brasileiro in D

Brasileiro in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C (descending whole step), C to G (descending perfect fourth), G to F (descending whole step), F to F (ascending unison), F to D# (descending whole step), D# to F# (ascending minor third), F# to F# (ascending unison), F# to D (descending major third), D to C# (descending half step), C# to B (descending whole step), B to C# (ascending whole step), C# to B (descending whole step), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to D by minor third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

samba2/2 · 24 bars · Form: pickup-A-B-C-D-E-F-G-H

Chords: D9sus, C9sus, G9sus, F9sus, F, D♯, F♯9sus, F♯, Dmaj9, C♯m11, Bm7, C♯m7, B9sus, B.

Scales for Improvisation D bebop, D bebop major.