Brasileiro in C

Ray Obiedo(1991)sambaMed. Samba
Do Re MiC D E
p
i
c
k
u
p
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A
-
B
-
C
-
D
-
E
-
F
-
G
-
H
C9sus
C9sus
A♯9sus
F9sus
D♯9sus
E9sus
E9sus
Cmaj9
F9sus
Bm11
A9sus
A9sus
A9sus
A9sus
C9sus
A9sus
A9sus
C9sus

Chord Diagrams — Brasileiro in C (Guitar)

C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
A♯9sus
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
F9sus
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
D♯9sus
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243

Brasileiro in C

Brasileiro in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to F (descending perfect fourth), F to D# (descending whole step), D# to D# (ascending unison), D# to C# (descending whole step), C# to E (ascending minor third), E to E (ascending unison), E to C (descending major third), C to B (descending half step), B to A (descending whole step), A to B (ascending whole step), B to A (descending whole step), A to A (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to C by minor third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

samba2/2 · 24 bars · Form: pickup-A-B-C-D-E-F-G-H

Chords: C9sus, A♯9sus, F9sus, D♯9sus, D♯, C♯, E9sus, E, Cmaj9, Bm11, Am7, Bm7, A9sus, A.

Scales for Improvisation C bebop, C bebop major.