Brasileiro in B

Ray Obiedo(1991)sambaMed. Samba
Do Re MiC D E
p
i
c
k
u
p
-
A
-
B
-
C
-
D
-
E
-
F
-
G
-
H
B9sus
B9sus
A9sus
E9sus
D9sus
D♯9sus
D♯9sus
Bmaj9
E9sus
A♯m11
G♯9sus
G♯9sus
G♯9sus
G♯9sus
B9sus
G♯9sus
G♯9sus
B9sus

Chord Diagrams — Brasileiro in B (Guitar)

B9sus
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
D♯9sus
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
A♯m11
4frEADGBE111342
6frEADGBE1111148frEADGBE11xx2311frEADGBE11x234
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
G♯9sus
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432

Brasileiro in B

Brasileiro in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A (descending whole step), A to E (descending perfect fourth), E to D (descending whole step), D to D (ascending unison), D to C (descending whole step), C to D# (ascending minor third), D# to D# (ascending unison), D# to B (descending major third), B to A# (descending half step), A# to G# (descending whole step), G# to A# (ascending whole step), A# to G# (descending whole step), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

samba2/2 · 24 bars · Form: pickup-A-B-C-D-E-F-G-H

Chords: B9sus, A9sus, E9sus, D9sus, D, C, D♯9sus, D♯, Bmaj9, A♯m11, G♯m7, A♯m7, G♯9sus, G♯.

Scales for Improvisation B bebop, B bebop major.