Do Re MiC D E

Volare

Domenico Modugno / Franco Migliacci / Mitchell Parish(1958)2/2ballad

Chord Diagrams — Volare in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Adim7
4frEADGBE112x3x
EADGBEx1324
5frEADGBE111234
7frEADGBE11x34
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Bdim7
EADGBE11x234
EADGBExx1324
6frEADGBE3x142x
7frEADGBE111234
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯m7/F
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
F7♭9
EADGBE111423
EADGBE11xx23
7frEADGBE11x234
11frEADGBE3241xx
D♯
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
D♯7♭9
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
9frEADGBE3241xx
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
FmMaj7
EADGBE111132
3frEADGBExx1342
8frEADGBE111423
12frEADGBExx4231
Fm6
EADGBE1x234
3frEADGBE11xx32
6frEADGBE11x324
9frEADGBExx2314
G7♯5
EADGBE4312
EADGBE1x234x
5frEADGBExx1423
10frEADGBE11x432
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
A♯m/E♭
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
C♯/G
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
BMaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x

Explore More

Volare in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A (ascending half step), A to A# (ascending half step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to B (descending major third), B to A# (descending half step), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to D# (descending whole step), D# to D# (ascending unison), D# to F (ascending whole step), F to F (ascending unison), F to F (ascending unison), F to G (ascending whole step), G to C (ascending perfect fourth), C to C (ascending unison), C to A# (descending whole step), A# to C (ascending whole step), C to C# (ascending half step), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 52 bars · Form: A

Chords: G♯, Adim7, A♯m7, A♯m, D♯7, Bdim7, A♯7, Fm7, A♯m7/F, F7♭9, D♯, D♯7♭9, Fm, FmMaj7, Fm6, G7♯5, Cm, Cm7, A♯m/E♭, C7, C♯/G, G♯7♯5, C♯m7, F♯7, BMaj7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#