Volare in E

Domenico Modugno / Franco Migliacci / Mitchell Parish(1958)swing
Do Re MiC D E
A
F♯m7/B
D♯7♯5
F♯m/A
A/C♯
E7♯5

Chord Diagrams — Volare in E (Guitar)

Display
FingerNoteDegree
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
Fdim7
EADGBE1x23
EADGBE11xx347frEADGBE11123412frEADGBE3x142x
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Gdim7
EADGBE31x42
EADGBE3x1423frEADGBE1112345frEADGBExx1324
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯m7/B
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
C♯mMaj7
EADGBE11x42x
4frEADGBE1114239frEADGBE11113211frEADGBE11x342
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
D♯7♯5
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
F♯m/A
5frEADGBExx3241
EADGBE1111344frEADGBE11x3429frEADGBE111342
A/C♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
E7♯5
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324

Volare in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F (ascending half step), F to F# (ascending half step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to G (descending major third), G to F# (descending half step), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to B (descending whole step), B to C# (ascending whole step), C# to C# (ascending unison), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F# (descending whole step), F# to A (ascending minor third), A to A (ascending unison), A to E (descending perfect fourth), E to D (descending whole step), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to E by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 52 bars · Form: A

Chords: E, Fdim7, F♯m, F♯m7, B7, Gdim7, F♯7, C♯m7, F♯m7/B, B, C♯7♭9, B7♭9, C♯m, C♯mMaj7, C♯m6, G♯m, D♯7♯5, G♯m7, G♯7, F♯m/A, A/C♯, Am7, E7♯5, D7, GMaj7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E