Volare in F#

Domenico Modugno / Franco Migliacci / Mitchell Parish(1958)swing
Do Re MiC D E
A

Chord Diagrams — Volare in F# (Guitar)

Display
FingerNoteDegree
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
Gdim7
EADGBE31x42
EADGBE3x1423frEADGBE1112345frEADGBExx1324
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Adim7
EADGBEx1324
4frEADGBE112x3x5frEADGBE1112347frEADGBE11x34
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯m7/C♯
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
D♯mMaj7
EADGBExx1342
3frEADGBEx4312x6frEADGBE11x42311frEADGBE111132
D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
F7♯5
EADGBE1234x
3frEADGBExx14238frEADGBE11x43212frEADGBE213x4x
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
G♯m/B
7frEADGBExx3241
4frEADGBE1111346frEADGBExx134211frEADGBE111342
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1

Volare in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G (ascending half step), G to G# (ascending half step), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to A (descending major third), A to G# (descending half step), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to C# (descending whole step), C# to D# (ascending whole step), D# to D# (ascending unison), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to G# (descending whole step), G# to B (ascending minor third), B to B (ascending unison), B to F# (descending perfect fourth), F# to E (descending whole step), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to F# by minor third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 52 bars · Form: A

Chords: F♯, Gdim7, G♯m, G♯m7, C♯7, Adim7, G♯7, D♯m7, G♯m7/C♯, C♯, D♯7♭9, C♯7♭9, D♯m, D♯mMaj7, D♯m6, A♯m, F7♯5, A♯m7, A♯7, G♯m/B, B/D♯, Bm7, F♯7♯5, E7, AMaj7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#