Do Re MiC D E

Sorcerer, The

Hancock Herbie4/4up-tempo-swing
Emaj7/D♭
Gmaj7♯11/E
B13♯11
E/E♭
Bm7/D
AmMaj7/A
B7sus4
A/A♭

Chord Diagrams — Sorcerer, The in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Emaj7/D♭
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
Gmaj7♯11/E
EADGBE111133
3frEADGBE111234
7frEADGBE11x423
10frEADGBE11x234
Emaj7
EADGBE312
EADGBE333xx1
4frEADGBE111x43
7frEADGBE111324
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
Am7
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
E/E♭
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Bm7/D
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
AmMaj7/A
EADGBEx312
5frEADGBE111132
7frEADGBE11x342
9frEADGBE11x42x
B7sus4
EADGBEx123
2frEADGBE111134
4frEADGBE1122xx
7frEADGBE111134
A/A♭
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243

Explore More

Sorcerer, The in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to E (ascending half step), E to F# (ascending whole step), F# to G (ascending half step), G to E (descending minor third), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to A (descending half step), A to E (descending perfect fourth), E to F (ascending half step), F to B (ascending tritone), B to B (ascending unison), B to D (ascending minor third), D to A (descending perfect fourth), A to B (ascending whole step), B to A (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A to D# by tritone.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 16 bars · Form: A

Chords: D♯maj7, Emaj7/D♭, F♯m9, Gmaj7♯11/E, Emaj7, B13♯11, E7♭9, A♯m7, Am7, E/E♭, Fm7, Bm7/D, Bm7, Dm7, AmMaj7/A, B7sus4, A/A♭.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#