Do Re MiC D E

Sorcerer, The

Hancock Herbie4/4up-tempo-swing
Bmaj7/D♭
Dmaj7♯11/E
F♯13♯11
B/E♭
F♯m7/D
EmMaj7/A
F♯7sus4
E/A♭

Chord Diagrams — Sorcerer, The in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Bmaj7/D♭
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
Dmaj7♯11/E
2frEADGBEx4231
EADGBE11xx3
5frEADGBE11x234
9frEADGBE111123
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
F♯13♯11
F♯ - A♯ - C♯ - E - G♯ - C - D♯
B7♭9
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
B/E♭
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
F♯m7/D
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
EmMaj7/A
EADGBE21
EADGBE11342
4frEADGBE11x42x
7frEADGBE111423
F♯7sus4
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
9frEADGBE111134
E/A♭
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234

Explore More

Sorcerer, The in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to B (ascending half step), B to C# (ascending whole step), C# to D (ascending half step), D to B (descending minor third), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to F (ascending tritone), F to E (descending half step), E to B (descending perfect fourth), B to C (ascending half step), C to F# (ascending tritone), F# to F# (ascending unison), F# to A (ascending minor third), A to E (descending perfect fourth), E to F# (ascending whole step), F# to E (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from E to A# by tritone.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 16 bars · Form: A

Chords: A♯maj7, Bmaj7/D♭, C♯m9, Dmaj7♯11/E, Bmaj7, F♯13♯11, B7♭9, Fm7, Em7, B/E♭, Cm7, F♯m7/D, F♯m7, Am7, EmMaj7/A, F♯7sus4, E/A♭.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#