Do Re MiC D E

Sorcerer, The

Hancock Herbie4/4up-tempo-swing
Cmaj7/D♭
D♯maj7♯11/E
G13♯11
C/E♭
Gm7/D
FmMaj7/A
G7sus4
F/A♭

Chord Diagrams — Sorcerer, The in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Cmaj7/D♭
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
Dm9
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
D♯maj7♯11/E
3frEADGBE11x423
EADGBEx314x
6frEADGBE11x234
10frEADGBE111123
Cmaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
G13♯11
G - B - D - F - A - C♯ - E
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
C/E♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Gm7/D
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
FmMaj7/A
3frEADGBExx1342
EADGBE111132
8frEADGBE111423
12frEADGBExx4231
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
F/A♭
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234

Explore More

Sorcerer, The in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C (ascending half step), C to D (ascending whole step), D to D# (ascending half step), D# to C (descending minor third), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to F (descending half step), F to C (descending perfect fourth), C to C# (ascending half step), C# to G (ascending tritone), G to G (ascending unison), G to A# (ascending minor third), A# to F (descending perfect fourth), F to G (ascending whole step), G to F (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from F to B by tritone.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 16 bars · Form: A

Chords: Bmaj7, Cmaj7/D♭, Dm9, D♯maj7♯11/E, Cmaj7, G13♯11, C7♭9, F♯m7, Fm7, C/E♭, C♯m7, Gm7/D, Gm7, A♯m7, FmMaj7/A, G7sus4, F/A♭.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B