Quasimodo in G#

Charlie Parker(1947)swing
Do Re MiC D E
A

Chord Diagrams — Quasimodo in G# (Guitar)

Display
FingerNoteDegree
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
CmMaj7add9add11add13
F7♭5
EADGBE1243
3frEADGBExx12346frEADGBExx24138frEADGBE11x23x
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F7♯5
EADGBE1234x
3frEADGBExx14238frEADGBE11x43212frEADGBE213x4x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
G♯6
EADGBE1111x3
3frEADGBE2x143x6frEADGBE111x349frEADGBEx4231x
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
D♯13♭9
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234

Quasimodo in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to G (descending half step), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to C (descending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to D (descending perfect fourth), D to C# (descending half step), C# to G# (descending perfect fourth), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to D# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to D# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 34 bars · Form: A

Chords: D♯13, G♯Maj7, G7, A♯m7, D♯7, F7♭9, C7, Fm7, Dm7, CmMaj7add9add11add13, F7♭5, A♯7, D♯6, Cm7, F7♯5, D♯m7, G♯7, C♯6, Gm7, Dm7♭5, C♯m6, G♯6, A♯m7♭5, D♯7♭9, D♯13♭9.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#