Quasimodo in F#

Charlie Parker(1947)swing
Do Re MiC D E
A

Chord Diagrams — Quasimodo in F# (Guitar)

Display
FingerNoteDegree
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
A♯mMaj7add9add11add13
D♯7♭5
EADGBExx1234
4frEADGBExx24136frEADGBE111x2310frEADGBE2x341x
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7♯5
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
F♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
C♯13♭9
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234

Quasimodo in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to F (descending half step), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F (ascending tritone), F to C (descending perfect fourth), C to B (descending half step), B to F# (descending perfect fourth), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 34 bars · Form: A

Chords: C♯13, F♯Maj7, F7, G♯m7, C♯7, D♯7♭9, A♯7, D♯m7, Cm7, A♯mMaj7add9add11add13, D♯7♭5, G♯7, C♯6, A♯m7, D♯7♯5, C♯m7, F♯7, B6, Fm7, Cm7♭5, Bm6, F♯6, G♯m7♭5, C♯7♭9, C♯13♭9.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#