Quasimodo in C#

Charlie Parker(1947)swing
Do Re MiC D E
A

Chord Diagrams — Quasimodo in C# (Guitar)

Display
FingerNoteDegree
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
FmMaj7add9add11add13
A♯7♭5
EADGBE11x23x
5frEADGBE2x3418frEADGBExx123411frEADGBEx3241
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯6
EADGBE1111x3
3frEADGBE2x143x6frEADGBE111x349frEADGBEx4231x
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
G♯13♭9
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213

Quasimodo in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to C (descending half step), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to G (descending minor third), G to F (descending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to G (descending perfect fourth), G to F# (descending half step), F# to C# (descending perfect fourth), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 34 bars · Form: A

Chords: G♯13, C♯Maj7, C7, D♯m7, G♯7, A♯7♭9, F7, A♯m7, Gm7, FmMaj7add9add11add13, A♯7♭5, D♯7, G♯6, Fm7, A♯7♯5, G♯m7, C♯7, F♯6, Cm7, Gm7♭5, F♯m6, C♯6, D♯m7♭5, G♯7♭9, G♯13♭9.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#