Do Re MiC D E

Prince Of Darkness

Shorter Wayne4/4medium-up-swing
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A♯m11
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A♯m11
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C♯maj7♯5
Dmaj7♯11
Fm11
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Chord Diagrams — Prince Of Darkness in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
A♯m11
6frEADGBE111114
4frEADGBE111342
8frEADGBE11xx23
11frEADGBE11x234
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
C♯maj7♯5
4frEADGBEx1423x
EADGBE111432
8frEADGBExx4231
11frEADGBExx1423
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Fm11
EADGBE11xx23
EADGBE111114
6frEADGBE11x234
11frEADGBE111342

Explore More

Prince Of Darkness in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to A (descending major third), A to C# (ascending major third), C# to D (ascending half step), D to B (descending minor third), B to F# (descending perfect fourth), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to D# by whole step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

medium-up-swing4/4 · 16 bars · Form: A

Chords: D♯m7, A♯m11, C♯m9, Amaj7, C♯maj7♯5, Dmaj7♯11, Bmaj7, F♯m7, Fm11.

Scales for Improvisation D# bebop minor, D# bebop.

Diatonic chords: See all chords in the key of D#