Do Re MiC D E

Prince Of Darkness

Shorter Wayne4/4medium-up-swing
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Fm11
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%
Fm11
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G♯maj7♯5
Amaj7♯11
Cm11
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Chord Diagrams — Prince Of Darkness in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Fm11
6frEADGBE11x234
EADGBE111114
EADGBE11xx23
11frEADGBE111342
G♯m9
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
G♯maj7♯5
8frEADGBE111432
EADGBE4321
3frEADGBE2134
11frEADGBEx1423x
Amaj7♯11
9frEADGBE11x423
EADGBEx2134
4frEADGBE111123
6frEADGBE11x34
F♯maj7
9frEADGBE111324
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
Cm11
8frEADGBE111114
EADGBE11x234
EADGBE1111x2
6frEADGBE111342

Explore More

Prince Of Darkness in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to G# (ascending minor third), G# to E (descending major third), E to G# (ascending major third), G# to A (ascending half step), A to F# (descending minor third), F# to C# (descending perfect fourth), C# to C (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

medium-up-swing4/4 · 16 bars · Form: A

Chords: A♯m7, Fm11, G♯m9, Emaj7, G♯maj7♯5, Amaj7♯11, F♯maj7, C♯m7, Cm11.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#