Do Re MiC D E

Prince Of Darkness

Shorter Wayne4/4medium-up-swing
%
G♯m11
%
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G♯m11
%
%
Bmaj7♯5
Cmaj7♯11
D♯m11
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Chord Diagrams — Prince Of Darkness in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
G♯m11
4frEADGBE111114
EADGBE111342
6frEADGBE11xx23
9frEADGBE11x334
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
Bmaj7♯5
2frEADGBEx1423x
EADGBEx2134
6frEADGBE2133x
11frEADGBE111432
Cmaj7♯11
3frEADGBE11x234
EADGBEx4231
7frEADGBE111123
8frEADGBE111234
Amaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
D♯m11
EADGBE11xx34
4frEADGBE11x234
9frEADGBE111342
11frEADGBE111114

Explore More

Prince Of Darkness in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to B (ascending minor third), B to G (descending major third), G to B (ascending major third), B to C (ascending half step), C to A (descending minor third), A to E (descending perfect fourth), E to D# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to C# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

medium-up-swing4/4 · 16 bars · Form: A

Chords: C♯m7, G♯m11, Bm9, Gmaj7, Bmaj7♯5, Cmaj7♯11, Amaj7, Em7, D♯m11.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#