Pensativa in G#

Clare Fischer(1962)swing
Do Re MiC D E
A
B
C
EMaj7♯11
F♯/A♯
AMaj7♯11
AMaj7♯11
A13
D13
G13

Chord Diagrams — Pensativa in G# (Guitar)

Display
FingerNoteDegree
EMaj7♯11
F♯/A♯
6frEADGBE111432
EADGBE1113424frEADGBE11x2439frEADGBE111234
AMaj7♯11
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯6
EADGBE1111x3
3frEADGBE2x143x6frEADGBE111x349frEADGBEx4231x
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
A7♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
F7♯9
EADGBE111324
EADGBExx21347frEADGBEx2134x10frEADGBE111x23
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
D/C♯
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Bm/A
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
C7♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
B/A♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx

Pensativa in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to A (ascending minor third), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to A (ascending half step), A to F (descending major third), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to A (descending major third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to D (ascending unison), D to B (descending minor third), B to B (ascending unison), B to G (descending major third), G to C# (ascending tritone), C# to C (descending half step), C to E (ascending major third), E to A (ascending perfect fourth), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to F# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 63 bars · Form: ABC

Chords: EMaj7♯11, F♯/A♯, AMaj7♯11, F♯m7, B7, EMaj7, A♯m7, D♯7, G♯6, G♯Maj7, A7♯11, F7♯9, A♯9, G♯m7, C♯7, A13, D13, G13, D♯m7, G♯7, DMaj7, D/C♯, Bm7, Bm/A, GMaj7, C♯9, C7♯11, Em7, A7, C♯m7, F♯7, BMaj7, B/A♯, F♯7♭9.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#