Pensativa in C#

Clare Fischer(1962)bossa-nova
Do Re MiC D E
A
B
C
AMaj7♯11
B/D♯
DMaj7♯11
DMaj7♯11
D13
C13
G13
G/F♯
Em/D
E/D♯
DMaj7♯11

Chord Diagrams — Pensativa in C# (Guitar)

Display
FingerNoteDegree
AMaj7♯11
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
DMaj7♯11
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
D7♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
G/F♯
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
Em/D
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
F7♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
E/D♯
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23

Pensativa in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to B (ascending whole step), B to D (ascending minor third), D to E (ascending whole step), E to B (descending perfect fourth), B to A (descending whole step), A to C# (ascending major third), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to D (ascending half step), D to A# (descending major third), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to C# (descending perfect fourth), C# to D (ascending half step), D to C (descending whole step), C to G (descending perfect fourth), G to C# (ascending tritone), C# to G# (descending perfect fourth), G# to G (descending half step), G to G (ascending unison), G to E (descending minor third), E to E (ascending unison), E to F# (ascending whole step), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A (ascending major third), A to D (ascending perfect fourth), D to B (descending minor third), B to F# (descending perfect fourth), F# to E (descending whole step), E to E (ascending unison), E to B (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 63 bars · Form: ABC

Chords: AMaj7♯11, B/D♯, DMaj7♯11, E7, Bm7, AMaj7, C♯6, G♯7, D♯m7, C♯Maj7, D7♯11, A♯7♯9, D♯9, F♯7, C♯m7, D13, C13, G13, C♯7, G♯m7, G/F♯, GMaj7, Em/D, Em7, F♯9, CMaj7, F7♯11, Am7, D7, B7, F♯m7, E/D♯, EMaj7, B7♭9.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#