Pensativa in D#

Clare Fischer(1962)bossa-nova
Do Re MiC D E
A
B
C
BMaj7♯11
C♯/F
EMaj7♯11
EMaj7♯11
E13
D13
A13

Chord Diagrams — Pensativa in D# (Guitar)

Display
FingerNoteDegree
BMaj7♯11
C♯/F
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
EMaj7♯11
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
D♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
E7♯11
EADGBE12
3frEADGBE31426frEADGBE11x23411frEADGBE111234
C7♯9
EADGBEx2134x
3frEADGBE11x328frEADGBE1113249frEADGBExx2134
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
A/G♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
F♯m/E
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
G7♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
F♯/F
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324

Pensativa in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to E (ascending minor third), E to F# (ascending whole step), F# to C# (descending perfect fourth), C# to B (descending whole step), B to D# (ascending major third), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to D# (descending whole step), D# to E (ascending half step), E to C (descending major third), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to D# (descending perfect fourth), D# to E (ascending half step), E to D (descending whole step), D to A (descending perfect fourth), A to D# (ascending tritone), D# to A# (descending perfect fourth), A# to A (descending half step), A to A (ascending unison), A to F# (descending minor third), F# to F# (ascending unison), F# to G# (ascending whole step), G# to D (ascending tritone), D to G (ascending perfect fourth), G to B (ascending major third), B to E (ascending perfect fourth), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to F# (ascending unison), F# to C# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 63 bars · Form: ABC

Chords: BMaj7♯11, C♯/F, EMaj7♯11, F♯7, C♯m7, BMaj7, D♯6, A♯7, Fm7, D♯Maj7, E7♯11, C7♯9, F9, G♯7, D♯m7, E13, D13, A13, D♯7, A♯m7, A/G♯, AMaj7, F♯m/E, F♯m7, G♯9, DMaj7, G7♯11, Bm7, E7, C♯7, G♯m7, F♯/F, F♯Maj7, C♯7♭9.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#