Do Re MiC D E

Pee Wee

Williams Tony4/4waltz
G♯/D♭
A♯/D♭
Dmaj7/E♭
D♯maj7/E
Emaj7/F
%
C7sus4
A♯7sus4
F♯maj7♯11
C7sus4
F♯maj7/F
Bmaj7♯11
A♯/G♭
F♯7sus4
A♯/D♭
%
%

Chord Diagrams — Pee Wee in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
G♯/D♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A♯/D♭
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Dmaj7/E♭
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
D♯maj7/E
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
Emaj7/F
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
C7sus4
5frEADGBE11xx23
EADGBE11x234
3frEADGBE111134
8frEADGBE111134
C7alt
3frEADGBEx1234
2frEADGBE11x234
7frEADGBExx4312
10frEADGBExx1243
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
F♯maj7♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
F♯maj7/F
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Bmaj7♯11
6frEADGBE111123
EADGBE11x234
7frEADGBE111234
11frEADGBE11x423
A♯/G♭
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134

Explore More

Pee Wee in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to A# (ascending whole step), A# to G (descending minor third), G to D (descending perfect fourth), D to G# (ascending tritone), G# to D# (descending perfect fourth), D# to A (ascending tritone), A to E (descending perfect fourth), E to C (descending major third), C to C (ascending unison), C to A# (descending whole step), A# to F (descending perfect fourth), F to F# (ascending half step), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to A# (descending half step), A# to F# (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 21 bars · Form: A

Chords: F♯maj7, G♯/D♭, A♯/D♭, Gm7, Dmaj7/E♭, G♯m7♭5, D♯maj7/E, Am7♭5, Emaj7/F, C7sus4, C7alt, A♯7sus4, Fm7, F♯maj7♯11, Bmaj7, G♯maj7, F♯maj7/F, Bmaj7♯11, A♯/G♭, F♯7sus4.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#