Do Re MiC D E

Pee Wee

Williams Tony4/4waltz
C/D♭
D/D♭
F♯maj7/E♭
Gmaj7/E
G♯maj7/F
%
E7sus4
D7sus4
A♯maj7♯11
E7sus4
A♯maj7/F
D♯maj7♯11
D/G♭
A♯7sus4
D/D♭
%
%

Chord Diagrams — Pee Wee in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
C/D♭
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
D/D♭
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
F♯maj7/E♭
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
Cm7♭5
EADGBEx1324x
4frEADGBE11xx24
8frEADGBE111234
10frEADGBE333xx1
Gmaj7/E
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
G♯maj7/F
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
E7alt
5frEADGBE42x13
EADGBE132xx
2frEADGBExx1243
7frEADGBE1234
D7sus4
5frEADGBE111134
EADGBExx214
3frEADGBEx2341x
10frEADGBE111134
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
A♯maj7♯11
5frEADGBE111123
EADGBE11x234
6frEADGBE111234
10frEADGBE11x423
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Cmaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
A♯maj7/F
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
D♯maj7♯11
3frEADGBE11x423
EADGBEx314x
6frEADGBE11x234
10frEADGBE111123
D/G♭
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324

Explore More

Pee Wee in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to D (ascending whole step), D to B (descending minor third), B to F# (descending perfect fourth), F# to C (ascending tritone), C to G (descending perfect fourth), G to C# (ascending tritone), C# to G# (descending perfect fourth), G# to E (descending major third), E to E (ascending unison), E to D (descending whole step), D to A (descending perfect fourth), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to A# (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 21 bars · Form: A

Chords: A♯maj7, C/D♭, D/D♭, Bm7, F♯maj7/E♭, Cm7♭5, Gmaj7/E, C♯m7♭5, G♯maj7/F, E7sus4, E7alt, D7sus4, Am7, A♯maj7♯11, D♯maj7, Cmaj7, A♯maj7/F, D♯maj7♯11, D/G♭, A♯7sus4.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#