Do Re MiC D E

Pee Wee

Williams Tony4/4waltz
C♯/D♭
D♯/D♭
Gmaj7/E♭
G♯maj7/E
Amaj7/F
%
F7sus4
D♯7sus4
Bmaj7♯11
F7sus4
Bmaj7/F
Emaj7♯11
D♯/G♭
B7sus4
D♯/D♭
%
%

Chord Diagrams — Pee Wee in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
C♯/D♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯/D♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Gmaj7/E♭
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
G♯maj7/E
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
Amaj7/F
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
F7sus4
EADGBE111134
6frEADGBE111234
8frEADGBE111134
10frEADGBE11xx34
F7alt
EADGBE1243x
3frEADGBExx123
8frEADGBEx1234x
12frEADGBE112x43
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Bmaj7♯11
EADGBE11x234
6frEADGBE111123
7frEADGBE111234
11frEADGBE11x423
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Bmaj7/F
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
D♯/G♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
B7sus4
4frEADGBE1122xx
EADGBEx123
2frEADGBE111134
7frEADGBE111134

Explore More

Pee Wee in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to D# (ascending whole step), D# to C (descending minor third), C to G (descending perfect fourth), G to C# (ascending tritone), C# to G# (descending perfect fourth), G# to D (ascending tritone), D to A (descending perfect fourth), A to F (descending major third), F to F (ascending unison), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to B (ascending half step), B to E (ascending perfect fourth), E to C# (descending minor third), C# to B (descending whole step), B to E (ascending perfect fourth), E to D# (descending half step), D# to B (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 21 bars · Form: A

Chords: Bmaj7, C♯/D♭, D♯/D♭, Cm7, Gmaj7/E♭, C♯m7♭5, G♯maj7/E, Dm7♭5, Amaj7/F, F7sus4, F7alt, D♯7sus4, A♯m7, Bmaj7♯11, Emaj7, C♯maj7, Bmaj7/F, Emaj7♯11, D♯/G♭, B7sus4.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B