Ornithology in Mi

Charlie Parker, Bennie Harris(1946)swingMedium Up

Ornithology in Mi

Ornithology in E: Charlie Parker's bebop head on How High the Moon runs the cycle of fourths with surgical precision. Bebop and Bebop Major scales are the core language — navigate the ii-V-I sequences in multiple keys without hesitation. Chords: EMaj7 – Em7 – A7 – DMaj7 – Dm7 – G7 – C7 – F#m7b5 – B7 – G#m7 – C#7 – F#m7.

Ornithology in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: MiMaj7, Mim7, La7, ReMaj7, Rem7, Sol7, Do7, Fa♯m7♭5, Si7, Sol♯m7, Do♯7, Fa♯m7.

Scales for Improvisation Mi bebop, Mi major, Mi dorian, Mi bebop major, Mi major pentatonic.