Ornithology in La

Charlie Parker, Bennie Harris(1946)swingMedium Up

Ornithology in La

Ornithology in A: Charlie Parker's bebop head on How High the Moon runs the cycle of fourths with surgical precision. Bebop and Bebop Major scales are the core language — navigate the ii-V-I sequences in multiple keys without hesitation. Chords: AMaj7 – Am7 – D7 – GMaj7 – Gm7 – C7 – F7 – Bm7b5 – E7 – C#m7 – F#7 – Bm7.

Ornithology in La

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: LaMaj7, Lam7, Re7, SolMaj7, Solm7, Do7, Fa7, Sim7♭5, Mi7, Do♯m7, Fa♯7, Sim7.

Scales for Improvisation La bebop, La major, La dorian, La bebop major, La major pentatonic.