Ornithology in La#

Charlie Parker, Bennie Harris(1946)swingMedium Up

Ornithology in La#

Ornithology in A#: Charlie Parker's bebop head on How High the Moon runs the cycle of fourths with surgical precision. Bebop and Bebop Major scales are the core language — navigate the ii-V-I sequences in multiple keys without hesitation. Chords: A#Maj7 – A#m7 – D#7 – G#Maj7 – G#m7 – C#7 – F#7 – Cm7b5 – F7 – Dm7 – G7 – Cm7.

Ornithology in La#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: La♯Maj7, La♯m7, Re♯7, Sol♯Maj7, Sol♯m7, Do♯7, Fa♯7, Dom7♭5, Fa7, Rem7, Sol7, Dom7.

Scales for Improvisation La# bebop, La# major, La# dorian, La# bebop major, La# major pentatonic.