Oleo in La

Sonny Rollins(1954)swingUp Tempo Swing

Oleo in La

Oleo in A: Sonny Rollins's rhythm changes contrafact moves through the I–VI–ii–V cycle at bebop velocity. Bebop and Bebop Major scales are indispensable — Mixolydian drives the dominant bars in the bridge. Chords: A – F#m7 – Bm7 – E7 – A7 – D7 – C#7 – F#7 – B7.

Oleo in La

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: La, Fa♯m7, Sim7, Mi7, La7, Re7, Do♯7, Fa♯7, Si7.

Scales for Improvisation La mixolydian, La bebop, La major blues, La bebop major, La major pentatonic.