Do Re MiC D E

Nice Work If You Can Get It

George Gershwin / Ira Gershwin(1937)2/2swing

Chord Diagrams — Nice Work If You Can Get It in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
F7♯5
3frEADGBExx1423
EADGBE1234x
8frEADGBE11x432
12frEADGBE213x4x
C♯6
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
Bdim7
6frEADGBE3x142x
EADGBE11x234
EADGBExx1324
7frEADGBE111234
G♯/F♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯9
5frEADGBExx2143
EADGBE11234x
4frEADGBE111324
10frEADGBE221334
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
C♯/F♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
Gm7♭5/B
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
Fdim7
7frEADGBE111234
EADGBE1x23
EADGBE11xx34
12frEADGBE3x142x
A♯7
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x
A♯9
6frEADGBE111324
EADGBEx1234
5frEADGBE11234x
12frEADGBEx21333
D♯7♯5
6frEADGBE11x432
EADGBExx1423
9frEADGBE3241
11frEADGBE1x234x
F♯9
8frEADGBE221334
EADGBE111324
3frEADGBExx2143
11frEADGBE1111x2
C♯13
7frEADGBE222341
EADGBEx4231
4frEADGBE111134
9frEADGBE111234
Edim
7frEADGBEx1243x
EADGBExx12x3
5frEADGBEx41x23
10frEADGBE31x42x
D♯13
6frEADGBE111134
5frEADGBE44x213
9frEADGBE11423
11frEADGBE111234
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
D♯7♭9
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
A♯m7♭5
5frEADGBE2x341x
EADGBEx1324x
EADGBE11xx24
8frEADGBE222xx1

Explore More

Nice Work If You Can Get It in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to F (descending perfect fourth), F to C# (descending major third), C# to B (descending whole step), B to G# (descending minor third), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C (descending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to G (ascending whole step), G to F (descending whole step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C# by minor third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 54 bars · Form: A

Chords: C♯, G♯7, D♯m7, A♯m7, A♯m, F7♯5, C♯6, Bdim7, G♯/F♯, D♯7, G♯9, G♯7♯5, C♯/F♯, C7, Fm7, Fm, Gm7♭5/B, Fdim7, A♯7, A♯9, D♯7♯5, F♯9, C♯13, Edim, D♯13, G♯7sus4, F♯7, C♯7, G♯m, D♯7♭9, A♯m7♭5.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#