Nice Work If You Can Get It in E

George Gershwin / Ira Gershwin(1937)swing
Do Re MiC D E
A
G♯7♯5
B/D♯
B7♯5
E/D♯
A♯m7♭5/G♯
G♯7♯5
F♯7♯5
E13
F♯13
B7sus4
B7sus4
G♯7♯5
F♯7♯5
F♯13
B7sus4
B7sus4
G♯7♯5
F♯13
B7♯5
G♯7♯5
F♯7♯5
F♯13
G♯7♯5

Chord Diagrams — Nice Work If You Can Get It in E (Guitar)

Display
FingerNoteDegree
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
G♯7♯5
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
E6
EADGBE2314
EADGBE111345frEADGBEx4231x7frEADGBE3333x1
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Ddim7
EADGBExx23
4frEADGBE11x2347frEADGBEx243110frEADGBE111234
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
B7♯5
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
E/D♯
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
G♯dim7
EADGBExx12
EADGBE112x346frEADGBExx132410frEADGBE111234
A♯m7♭5/G♯
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
Gdim
EADGBE31x42x
5frEADGBExx12x38frEADGBEx12x3210frEADGBEx1243x
B7sus4
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx

Nice Work If You Can Get It in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to B (descending perfect fourth), B to D (ascending minor third), D to F# (ascending major third), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to G# (ascending unison), G# to A# (ascending whole step), A# to C# (ascending minor third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to A (ascending perfect fourth), A to F# (descending minor third), F# to G (ascending half step), G to B (ascending major third), B to A (descending whole step), A to E (descending perfect fourth), E to B (descending perfect fourth), B to C# (ascending whole step), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 54 bars · Form: A

Chords: E, C♯m7, F♯m7, B7, G♯7♯5, C♯m, E6, B/D♯, Ddim7, F♯7, B9, B7♯5, E/D♯, D♯7, G♯m, G♯m7, G♯dim7, A♯m7♭5/G♯, C♯7, C♯9, F♯7♯5, E13, A9, F♯13, Gdim, B7sus4, A7, E7, Bm, C♯m7♭5, F♯7♭9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E