Do Re MiC D E

Nice Work If You Can Get It

George Gershwin / Ira Gershwin(1937)2/2swing

Chord Diagrams — Nice Work If You Can Get It in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
E6
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
Ddim7
4frEADGBE11x234
EADGBExx23
7frEADGBEx2431
10frEADGBE111234
B/F♯
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
B9
4frEADGBE111432
EADGBEx21334
7frEADGBE111324
8frEADGBExx2143
B7♯5
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
E/F♯
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
A♯m7♭5/B
5frEADGBE2x341x
EADGBEx1324x
EADGBE11xx24
8frEADGBE222xx1
G♯dim7
6frEADGBExx1324
EADGBExx12
EADGBE112x34
10frEADGBE111234
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
C♯9
8frEADGBE3142xx
EADGBE221334
9frEADGBE111324
10frEADGBExx2143
F♯7♯5
7frEADGBEx4312
EADGBE1x234x
4frEADGBExx1423
9frEADGBE11x432
A9
5frEADGBE111324
2frEADGBE431
EADGBE11x32
11frEADGBEx21333
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
Gdim
5frEADGBExx12x3
EADGBE31x42x
8frEADGBEx12x32
10frEADGBEx1243x
F♯13
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
B7sus4
7frEADGBE111134
EADGBEx123
2frEADGBE111134
4frEADGBE1122xx
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
F♯7♭9
8frEADGBE11x234
EADGBE2134
3frEADGBE11xx23
12frEADGBE3241xx
C♯m7♭5
8frEADGBE2x341x
4frEADGBEx1324x
5frEADGBE11xx24
11frEADGBE222xx1

Explore More

Nice Work If You Can Get It in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to E (descending major third), E to D (descending whole step), D to B (descending minor third), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to A# (ascending whole step), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to E (descending perfect fourth), E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to A (descending whole step), A to E (descending perfect fourth), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to C# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to E by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 54 bars · Form: A

Chords: E, B7, F♯m7, C♯m7, C♯m, G♯7♯5, E6, Ddim7, B/F♯, F♯7, B9, B7♯5, E/F♯, D♯7, G♯m7, G♯m, A♯m7♭5/B, G♯dim7, C♯7, C♯9, F♯7♯5, A9, E13, Gdim, F♯13, B7sus4, A7, E7, Bm, F♯7♭9, C♯m7♭5.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E