Do Re MiC D E

Nice Work If You Can Get It

George Gershwin / Ira Gershwin(1937)2/2swing

Chord Diagrams — Nice Work If You Can Get It in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
Cm
8frEADGBE111134
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
G7♯5
5frEADGBExx1423
EADGBE4312
EADGBE1x234x
10frEADGBE11x432
D♯6
6frEADGBE3333x1
EADGBE11xx34
4frEADGBEx4231x
10frEADGBE2x143x
C♯dim7
8frEADGBE112x3x
EADGBExx1324
3frEADGBE11x234
11frEADGBExx1324
A♯/F♯
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
A♯9
6frEADGBE111324
EADGBEx1234
5frEADGBE11234x
12frEADGBEx21333
A♯7♯5
6frEADGBE1x234x
EADGBE11x432
8frEADGBExx1423
12frEADGBEx213x4
D♯/F♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Gm
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
Am7♭5/B
5frEADGBE111234
EADGBEx23x
4frEADGBE2x341x
7frEADGBE222xx1
Gdim7
5frEADGBExx1324
EADGBE31x42
EADGBE3x142
3frEADGBE111234
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
C9
EADGBE221334
7frEADGBE112344
7frEADGBE131214
9frEADGBExx2143
F7♯5
EADGBE1234x
3frEADGBExx1423
8frEADGBE11x432
12frEADGBE213x4x
G♯9
EADGBE11234x
4frEADGBE111324
5frEADGBExx2143
10frEADGBE221334
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
F♯dim
7frEADGBEx41x23
EADGBE2x31x
4frEADGBExx12x3
9frEADGBEx1243x
F13
7frEADGBE44x213
EADGBE111324
EADGBE111234
8frEADGBE111134
A♯7sus4
8frEADGBExx1324
EADGBE111x34
EADGBE1122xx
6frEADGBE111134
G♯7
11frEADGBE111134
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
D♯7
11frEADGBE111132
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
A♯m
8frEADGBExx1342
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1

Explore More

Nice Work If You Can Get It in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to C (descending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth), G to D# (descending major third), D# to C# (descending whole step), C# to A# (descending minor third), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to G (ascending unison), G to A (ascending whole step), A to G (descending whole step), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to F (descending half step), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to C (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to D# by minor third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 54 bars · Form: A

Chords: D♯, A♯7, Fm7, Cm7, Cm, G7♯5, D♯6, C♯dim7, A♯/F♯, F7, A♯9, A♯7♯5, D♯/F♯, D7, Gm7, Gm, Am7♭5/B, Gdim7, C7, C9, F7♯5, G♯9, D♯13, F♯dim, F13, A♯7sus4, G♯7, D♯7, A♯m, F7♭9, Cm7♭5.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#