My One And Only Love in Sol#

Guy Wood()balladSlowly
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Chord Diagrams — My One And Only Love in Sol# (Guitar)

Sol♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Fam7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
La♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
Re♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
Midim7
EADGBE123
EADGBExx13246frEADGBEx2314x11frEADGBE112x3x
Fam
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Fam7/g
Sol - Fa - La♭ - Do - Mi♭
Do♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
Solm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
Dom7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Fa7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
Sol♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Do7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Si9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Re♯7♯5
Re♯ - Sol - Si - Do♯
La9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
MiMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
LaMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
La6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
Sol♯69
EADGBE11111x
EADGBE1112345frEADGBExx213410frEADGBE11x234
Dom6
EADGBE11x324
3frEADGBEx13x247frEADGBE2222x18frEADGBE111234
Lam7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
Rem7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Dom
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Dom/dis
Dom/d
Re - Do - Mi♭ - Sol
Dom/cis
Mi7♯11
Mi - Sol♯ - Si - Re - La♯
Re♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx

My One And Only Love in Sol#

My One And Only Love in Sol#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to F (ascending half step), F to F (ascending unison), F to C# (descending major third), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to C (ascending major third), C to B (descending half step), B to D# (ascending major third), D# to A (ascending tritone), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to G# (descending half step), G# to C (ascending major third), C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to E (ascending major third), E to D# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 35 bars · Form: AABA

Chords: Sol♯, Fam7, La♯m7, Re♯9, Midim7, Fam, Fam7/g, Do♯Maj7, Solm7♭5, Dom7, Fa7♭9, Sol♯m7, Do7, Si9, Re♯7♯5, La9, MiMaj7, LaMaj7, La6, Sol♯69, Dom6, Lam7♭5, Rem7, Sol7, Dom, Dom/dis, Dom/d, Dom/cis, Mi7♯11, Re♯7♭9.

Scales for Improvisation Sol# bebop, Sol# bebop major.