My One And Only Love in La
Chord Diagrams — My One And Only Love in La (Guitar)
My One And Only Love in La
My One And Only Love in La
A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step), F to F# (ascending half step), F# to F# (ascending unison), F# to D (descending major third), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to C# (ascending major third), C# to C (descending half step), C to E (ascending major third), E to A# (ascending tritone), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A (descending half step), A to C# (ascending major third), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to F (ascending major third), F to E (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.
Scales for Improvisation
A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.