My One And Only Love in Do#

Guy Wood()balladSlowly
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Chord Diagrams — My One And Only Love in Do# (Guitar)

Do♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
La♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
Re♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Sol♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
Ladim7
EADGBEx1324
4frEADGBE112x3x5frEADGBE1112347frEADGBE11x34
La♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
La♯m7/g
Sol - La♯ - Do♯ - Fa - Sol♯
Fa♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
Dom7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
Fam7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
La♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
Do♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
Fa7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Mi9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
Sol♯7♯5
Sol♯ - Do - Mi - Fa♯
Re9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
LaMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
ReMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Re6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
Do♯69
EADGBE11x432
EADGBE11x2348frEADGBE11123410frEADGBExx2134
Fam6
EADGBE1x234
3frEADGBE11xx326frEADGBE11x3249frEADGBExx2314
Rem7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
Solm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Do7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fam
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Fam/dis
Fam/d
Re - Fa - La♭ - Do
Fam/cis
La7♯11
La - Do♯ - Mi - Sol - Re♯
Sol♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234

My One And Only Love in Do#

My One And Only Love in Do#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to A# (ascending half step), A# to A# (ascending unison), A# to F# (descending major third), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to F (ascending major third), F to E (descending half step), E to G# (ascending major third), G# to D (ascending tritone), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to C# (descending half step), C# to F (ascending major third), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to A (ascending major third), A to G# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 35 bars · Form: AABA

Chords: Do♯, La♯m7, Re♯m7, Sol♯9, Ladim7, La♯m, La♯m7/g, Fa♯Maj7, Dom7♭5, Fam7, La♯7♭9, Do♯m7, Fa7, Mi9, Sol♯7♯5, Re9, LaMaj7, ReMaj7, Re6, Do♯69, Fam6, Rem7♭5, Solm7, Do7, Fam, Fam/dis, Fam/d, Fam/cis, La7♯11, Sol♯7♭9.

Scales for Improvisation Do# bebop, Do# bebop major.