My Man's Gone Now in B

George Gershwin / DuBose Heyward(1935)swing
Do Re MiC D E
A
AMaj7/D♯
D♯13
AMaj7/D♯
AMaj7/D♯
D♯13
AMaj7/D♯
C♯m9/D♯
AMaj7/D♯

Chord Diagrams — My Man's Gone Now in B (Guitar)

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My Man's Gone Now in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through G# to A (ascending half step), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to D (descending half step), D to G (ascending perfect fourth), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to C# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to G# by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 33 bars · Form: A

Chords: G♯m7, AMaj7/D♯, D♯13, G♯7, C♯m9, D♯7, D7, G, D♯9, G♯m9, F7, A♯m7, C♯m9/D♯.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B