My Man's Gone Now in A#

George Gershwin / DuBose Heyward(1935)swing
Do Re MiC D E
A
G♯Maj7/D
D13
G♯Maj7/D
G♯Maj7/D
D13
G♯Maj7/D
Cm9/D
G♯Maj7/D

Chord Diagrams — My Man's Gone Now in A# (Guitar)

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My Man's Gone Now in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to G# (ascending half step), G# to D (ascending tritone), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to D (ascending whole step), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to D (descending major third), D to G (ascending perfect fourth), G to E (descending minor third), E to A (ascending perfect fourth), A to C (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to G by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 33 bars · Form: A

Chords: Gm7, G♯Maj7/D, D13, G7, Cm9, D7, C♯7, F♯, D9, Gm9, E7, Am7, Cm9/D.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#