My Man's Gone Now in G#

George Gershwin / DuBose Heyward(1935)swing
Do Re MiC D E
A
F♯Maj7/C
C13
F♯Maj7/C
F♯Maj7/C
C13
F♯Maj7/C
A♯m9/C
F♯Maj7/C

Chord Diagrams — My Man's Gone Now in G# (Guitar)

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My Man's Gone Now in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to F# (ascending half step), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to C (ascending whole step), C to B (descending half step), B to E (ascending perfect fourth), E to C (descending major third), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to A# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to F by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 33 bars · Form: A

Chords: Fm7, F♯Maj7/C, C13, F7, A♯m9, C7, B7, E, C9, Fm9, D7, Gm7, A♯m9/C.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#