My Cherie Amor in B

Stevie Wonder()swing
Do Re MiC D E
A
B
EMaj7/A
D♯m/F♯
EMaj7/A
D/E
E/F♯
D/E
E/F♯
EMaj7/F♯
A9♯11
EMaj7/F♯
EMaj7/A
D♯m/F♯
EMaj7/A

Chord Diagrams — My Cherie Amor in B (Guitar)

Display
FingerNoteDegree
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
EMaj7/A
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
D♯m/F♯
EADGBExx3241
EADGBExx13426frEADGBE11134211frEADGBE111134
F♯aug
EADGBExx4231
EADGBE11xx2x7frEADGBE11x32x11frEADGBE11432x
D/E
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
E/F♯
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
EMaj7/F♯
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
A9♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143

My Cherie Amor in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to E (descending perfect fourth), E to B (descending perfect fourth), B to D# (ascending major third), D# to F# (ascending minor third), F# to D (descending major third), D to E (ascending whole step), E to E (ascending unison), E to A (ascending perfect fourth), A to G# (descending half step), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to E by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: AB

Chords: EMaj7, AMaj7, EMaj7/A, BMaj7, D♯m/F♯, F♯aug, D/E, E/F♯, EMaj7/F♯, A9♯11, G♯7, C♯9.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B