My Cherie Amor in A#

Stevie Wonder()swing
Do Re MiC D E
A
B
D♯Maj7/G♯
D♯Maj7/G♯
C♯/D♯
D♯/F
C♯/D♯
D♯/F
D♯Maj7/F
G♯9♯11
D♯Maj7/F
D♯Maj7/G♯
D♯Maj7/G♯

Chord Diagrams — My Cherie Amor in A# (Guitar)

Display
FingerNoteDegree
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
D♯Maj7/G♯
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
Dm/F
6frEADGBEx4231x
EADGBExx2315frEADGBE11134210frEADGBE111134
Faug
EADGBExx4231
6frEADGBE11x32x8frEADGBEx1x34210frEADGBE11432x
C♯/D♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
D♯/F
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
D♯Maj7/F
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
G♯9♯11
3frEADGBE2x341x
6frEADGBExx123410frEADGBE11x23411frEADGBE111x23
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143

My Cherie Amor in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to D (ascending major third), D to F (ascending minor third), F to C# (descending major third), C# to D# (ascending whole step), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to D# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: AB

Chords: D♯Maj7, G♯Maj7, D♯Maj7/G♯, A♯Maj7, Dm/F, Faug, C♯/D♯, D♯/F, D♯Maj7/F, G♯9♯11, G7, C9.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#