My Cherie Amor in A

Stevie Wonder()swing
Do Re MiC D E
A
B
DMaj7/G
C♯m/E
DMaj7/G
C/D
D/E
C/D
D/E
DMaj7/E
G9♯11
DMaj7/E
DMaj7/G
C♯m/E
DMaj7/G

Chord Diagrams — My Cherie Amor in A (Guitar)

Display
FingerNoteDegree
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
DMaj7/G
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
C♯m/E
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
Eaug
EADGBE4312
5frEADGBE11x32x7frEADGBEx3211x9frEADGBE11432
C/D
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
D/E
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
DMaj7/E
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143

My Cherie Amor in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to G (ascending perfect fourth), G to D (descending perfect fourth), D to A (descending perfect fourth), A to C# (ascending major third), C# to E (ascending minor third), E to C (descending major third), C to D (ascending whole step), D to D (ascending unison), D to G (ascending perfect fourth), G to F# (descending half step), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to D by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: AB

Chords: DMaj7, GMaj7, DMaj7/G, AMaj7, C♯m/E, Eaug, C/D, D/E, DMaj7/E, G9♯11, F♯7, B9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A