Do Re MiC D E

Mc Jolt

Beirach Richie4/4medium-up-swing
%
%
Gmaj7♯11
F♯m11
A♯7sus4
F7♭9♭13
C♯7sus4
Em11
F♯7♭9♭13
D7sus4
%
%
Gmaj7♯11
F♯m11
A♯7sus4
F7♭9♭13
C♯7sus4
Em11
F♯7♭9♭13
D7sus4
Em11
F♯7♭9♭13
D7sus4
Em11
F♯7♭9♭13
D7sus4

Chord Diagrams — Mc Jolt in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Gmaj7♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
F♯m11
4frEADGBE11xx23
EADGBE231
EADGBE111114
7frEADGBE11x234
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
A♯7♯9
EADGBEx123x
6frEADGBE114432
7frEADGBExx2134
12frEADGBEx2134x
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
F7♭9♭13
F - A - C - E♭ - G♭ - D♭
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
C♯7sus4
EADGBE11x234
4frEADGBE111134
6frEADGBExxx123
9frEADGBE111134
Em11
3frEADGBE321
EADGBE1
5frEADGBE11x234
10frEADGBE111342
F♯7♭9♭13
F♯ - A♯ - C♯ - E - G - D
D7sus4
3frEADGBEx2341x
EADGBExx214
5frEADGBE111134
10frEADGBE111134

Explore More

Mc Jolt in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C to B (descending half step), B to G (descending major third), G to F# (descending half step), F# to A# (ascending major third), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to E (ascending minor third), E to F# (ascending whole step), F# to D (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 40 bars · Form: A

Chords: Cm7, Bm7, Gmaj7♯11, F♯m11, A♯7sus4, A♯7♯9, D♯m7, F7♭9♭13, A♯m7, C♯7sus4, Em11, F♯7♭9♭13, D7sus4.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B