Do Re MiC D E

Mc Jolt

Beirach Richie4/4medium-up-swing
%
%
Fmaj7♯11
Em11
G♯7sus4
D♯7♭9♭13
B7sus4
Dm11
E7♭9♭13
C7sus4
%
%
Fmaj7♯11
Em11
G♯7sus4
D♯7♭9♭13
B7sus4
Dm11
E7♭9♭13
C7sus4
Dm11
E7♭9♭13
C7sus4
Dm11
E7♭9♭13
C7sus4

Chord Diagrams — Mc Jolt in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Fmaj7♯11
5frEADGBE11x423
EADGBE12
EADGBExx213
8frEADGBE11x234
Em11
5frEADGBE11x234
EADGBE1
3frEADGBE321
10frEADGBE111342
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G♯7♯9
4frEADGBE114432
EADGBE213334
5frEADGBE44xx31
10frEADGBEx2134x
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
D♯7♭9♭13
D♯ - G - A♯ - C♯ - E - B
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
B7sus4
7frEADGBE111134
EADGBEx123
2frEADGBE111134
4frEADGBE1122xx
Dm11
8frEADGBE111342
EADGBE11xx
3frEADGBE11x234
10frEADGBE111114
E7♭9♭13
E - G♯ - B - D - F - C
C7sus4
8frEADGBE111134
EADGBE11x234
3frEADGBE111134
5frEADGBE11xx23

Explore More

Mc Jolt in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A# to A (descending half step), A to F (descending major third), F to E (descending half step), E to G# (ascending major third), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to D (ascending minor third), D to E (ascending whole step), E to C (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 40 bars · Form: A

Chords: A♯m7, Am7, Fmaj7♯11, Em11, G♯7sus4, G♯7♯9, C♯m7, D♯7♭9♭13, G♯m7, B7sus4, Dm11, E7♭9♭13, C7sus4.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A