Do Re MiC D E

Mc Jolt

Beirach Richie4/4medium-up-swing
%
%
F♯maj7♯11
Fm11
A7sus4
E7♭9♭13
C7sus4
D♯m11
F7♭9♭13
C♯7sus4
%
%
F♯maj7♯11
Fm11
A7sus4
E7♭9♭13
C7sus4
D♯m11
F7♭9♭13
C♯7sus4
D♯m11
F7♭9♭13
C♯7sus4
D♯m11
F7♭9♭13
C♯7sus4

Chord Diagrams — Mc Jolt in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
F♯maj7♯11
EADGBE111123
4frEADGBE11x234
6frEADGBE11x423
9frEADGBE11x234
Fm11
EADGBE111114
EADGBE11xx23
6frEADGBE11x234
11frEADGBE111342
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
A7♯9
5frEADGBE114432
6frEADGBExx2134
8frEADGBEx4213
11frEADGBEx2134x
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
E7♭9♭13
E - G♯ - B - D - F - C
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
C7sus4
8frEADGBE111134
EADGBE11x234
3frEADGBE111134
5frEADGBE11xx23
D♯m11
9frEADGBE111342
EADGBE11xx34
4frEADGBE11x234
11frEADGBE111114
F7♭9♭13
F - A - C - E♭ - G♭ - D♭
C♯7sus4
9frEADGBE111134
EADGBE11x234
4frEADGBE111134
6frEADGBExxx123

Explore More

Mc Jolt in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through B to A# (descending half step), A# to F# (descending major third), F# to F (descending half step), F to A (ascending major third), A to A (ascending unison), A to D (ascending perfect fourth), D to E (ascending whole step), E to A (ascending perfect fourth), A to C (ascending minor third), C to D# (ascending minor third), D# to F (ascending whole step), F to C# (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 40 bars · Form: A

Chords: Bm7, A♯m7, F♯maj7♯11, Fm11, A7sus4, A7♯9, Dm7, E7♭9♭13, Am7, C7sus4, D♯m11, F7♭9♭13, C♯7sus4.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#